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Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene By Frederick Moehn, Contemporary Carioca Technologies of Mixing in a May , Contemporary Carioca is one of the first comprehensive reviews of the s generation of Brazilian artists that defined the sound of post dictatorshop Brazil Moehn makes a convincing case that artists such as Lenine, Marcos Suzano, Fernanda Abreu, Pedro Lus, Moska, and their collaborators were the first to synthesize the BRock wave with the Tropicalia sounds of their predecessors, to great effect. Contemporary Carioca Technologies of Mixing in a Contemporary Carioca is an engaging study of musical production in Brazil that focuses on a group of Rio based, middle class musicians who emerged in the s and s and continue to produce innovative work Among the book s many strengths is its organization around individual artists and the ways that they have approached questions of Contemporary Carioca Technologies of Project MUSE In Contemporary Carioca, the ethnomusicologist Frederick Moehn introduces a generation of Rio based musicians who collaboratively have reinvigorated Brazilian genres, such as samba and maracatu, through juxtaposition with international influences, including rock, techno, and funk. Contemporary Carioca Technologies of Mixing in a In Contemporary Carioca, the ethnomusicologist Frederick Moehn introduces a generation of Rio based musicians who collaboratively have reinvigorated Brazilian genres, such as samba and maracatu, through juxtaposition with international influences, including rock, techno, and funk. Review Contemporary Carioca Technologies of Mixing in a Sep , Contemporary Carioca shows how mixing practices have been crucial to understand the field of cultural production in Brazil, particularly in relation to the creative potential and nationalistic overtones of Oswald de Andrade s modernist Manifesto Antropoggico Cannibal Manifesto, published in In examining artists located in South Rio de Janeiro, Moehn goes to what he calls the Contemporary Carioca Technologies of Mixing in a Dec , Pedro Luis like Lenine, known by his First name names only is the most typically Carioca of all the musicians discussed in the volume, a middle class white musician born in Rio and raised in the neighborhood of Tijuca in the North Zone, closer to the physical and audible presence of the samba schools, of which Tijuca and neighboring Estacio

  • Title: Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene
  • Author: Frederick Moehn
  • ISBN: 9780822351559
  • Page: 261
  • Format: Paperback
  • Brazilian popular music is widely celebrated for its inventive amalgams of styles and sounds Cariocas, native residents of Rio de Janeiro, think of their city as particularly conducive to musical mixture, given its history as a hub of Brazilian media and culture In Contemporary Carioca, the ethnomusicologist Frederick Moehn introduces a generation of Rio based musiciansBrazilian popular music is widely celebrated for its inventive amalgams of styles and sounds Cariocas, native residents of Rio de Janeiro, think of their city as particularly conducive to musical mixture, given its history as a hub of Brazilian media and culture In Contemporary Carioca, the ethnomusicologist Frederick Moehn introduces a generation of Rio based musicians who collaboratively have reinvigorated Brazilian genres, such as samba and maracatu, through juxtaposition with international influences, including rock, techno, and funk Moehn highlights the creativity of individual artists, including Marcos Suzano, Lenine, Pedro Lu s, Fernanda Abreu, and Paulinho Moska He describes how these artists manage their careers, having reclaimed some control from record labels Examining the specific meanings that their fusions have in the Carioca scene, he explains that musical mixture is not only intertwined with nationalist discourses of miscegenation, but also with the experience of being middle class in a country confronting neoliberal models of globalization At the same time, he illuminates the inseparability of race, gender, class, place, national identity, technology, and expressive practice in Carioca music and its making Moehn offers vivid depictions of Rio musicians as they creatively combine and reconcile local realities with global trends and exigencies.
    Contemporary Carioca Technologies of Mixing in a Brazilian Music Scene Brazilian popular music is widely celebrated for its inventive amalgams of styles and sounds Cariocas native residents of Rio de Janeiro think of their city as particularly conducive to musical mixt

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